The Sex
Goddesses
Theda Bara
Clara Bow
Mary
Pickford
Mae West
Marlene
Dietrich
Greta Garbo
Jean Harlow
Marilyn
Monroe
Elizabeth
Taylor
Sex
and the Movie Queens
by
Lynne Bell
The
Sun Herald November 1966
Καλλονές
Θεάματα
Κινηματογραφικά
(
o τίτλος του
δημοσιεύματος )
( υπέρτιτλος )
/
- a1.
/
- a2.
/ - a3.
That answer was the “sex goddess”, the celluloid image of woman at her most desirable, most destructive and most powerful.
/
- a4.
/
- a5.
The “Vamp”
/
- a6.
Theda Bara
The first screen Vamp
The first Sex Goddess
Theda Bara
(
φωτο από το δημοσίευμα
)
/
- a7.
Theda Bara
/ - a8.
Clara Bow
At this
point, English writer Elinor Glyn, was imported to impose her ideal of sex
appeal on the screen and the career of her protégé, Clara Bow, the original “It”
girl.
“It” – the
phrase conmotated by Hollywood for madame Glyn’s description of the strong
magnetism which attracts both sexes – became a trend in that slangy era
and women everywhere were soon copying the mechanisms of the “It” girl – keeping
their heads low and glancing up from under the eyebrows.
Clara
Bow
The “It” girl
(
φωτο από το δημοσίευμα )
/ - a9.
Clara Bow
/ - b1.
Clara Bow
Clara Bow had lived a
life off screen that aped the flapper girl’s fantasies on it; but the publicity
value of wild parties, love affairs with stars like Gary Cooper, fast cars and
seven red chows dyed to match her hair, turned sour.
/
- b2.
Mary Pickford
Mary Pickford
( φωτο από το δημοσίευμα )
/
- b3.
Mae West
Mae West
( φωτο από το δημοσίευμα )
/
- b4.
Sex generally
was then regarded as rather amusing and Mae West
treated it with a ribald respect which endeared her to moviegoers but not to
the earnest bands of moralists who sprang up all over the country, enthusiastic
their zeal to clean up American morals, on screen and off.
Two new Sex Goddesses
Marlene Dietrich and Greta Garbo
/
- b5.
Hollywood produced two new sex goddesses:
Marlene Dietrich
and
Greta Garbo
/
- b6.
Both women (Dietrich and Garbo) wore auras of mystery, accentuated by
skillful lighting, make-up and shading on their faces, and they portrayed women
with questioning backgrounds, depths of experience.
/
- b7.
The new sex goddess was mystery – and the world loved it.
She was a woman fiercely independent, treating sex as an instrument to
make her man come to heel of spurning it completely, relying solely on her
ability to aesthetically fascinate men.
/
- b8.
Off screen, Dietrich and Garbo continued the
role of women not needing men.
[
Marlene Dietrich ]
Dietrich, though married to one mane since her German screen days,
always appears in public alone, reinforcing the view of her as a rootless one,
a femme fatale who travels alone.
/
- b9.
[
Greta Garbo [
Garbo, strongly attracted by celibate roles, chose “bachelorhood” as
part of her screen myth.
Any deviation into marriage would have made her vulnerable to loss of
public favour.
INNOCENCE
/ - b10.
Jean Harlow sex symbol of the 1930s
Marilyn Monroe sex symbol of the 1950s
/
- b11.
Jean Harlow, the
platinum blonde.
Jean Harlow
( φωτο από το δημοσίευμα )
/ -
b12.
Marilyn Monroe:
“If I’m going to be a symbol of
something, I’d rather have it sex”
/
- b13.
Harlow provided a
focus for the social disarray of the depression.
Marilyn Monroe gained stardom at the post-war peak of
Americas’ material prosperity.
/
- b. 13
Elizabeth Taylor
comparison between Elizabeth Taylor and
Gloria Swanson
Elizabeth Taylor
( φωτο από το δημοσίευμα )
/
- b14.
Elizabeth Taylor
The Sun Herald, Sydney, Australia, Sunday,
November 6, 1966, pp. 51, 90.
( ο τίτλος της εφημερίδος )
Το βιβλίο που αναφέρεται στο
δημοσίευμα
Alexander Walker, “Sex in the Movies: The Celluloid
Sacrifice”, 1966.
Τα περιεχόμενα:
/
- 1. The Goddesses
/
Bara, Bow
/
Pickford
/
Mae West
/
Dietrich
/
Garbo
/
Harlow and Monroe
/
Elizabeth Taylor
Εξώφυλλο του βιβλίου
( φωτο από το διαδίκτυο )
ΕΛΕΥΘΕΡΟΓΡΑΦΟΣ
[ ανάρτηση 6 Ιουνίου 2024 :
The Sex Goddesses
Sex and the Movie Queens
by Lynne Bell
The Sun Herald November 1966
Theda
Bara
Clara
Bow
Mary
Pickford
Mae
West
Marlene
Dietrich
Greta
Garbo
Jean
Harlow
Marilyn
Monroe
Elizabeth
Taylor
Καλλονές
Θεάματα
Κινηματογραφικά ]
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου